The Barcelona’s creative lab hasdesigned a 3D visual show (that has to be watched with special glasses), generated in real time and synchronized with music -mixing generative art and video micro loop. The visuals of Venetian Snares will run on Eyesberg. MIRA Festival will curate the opening concert by Ralp and the visual show of the Canadian artist who will perform on April 13th in Barcelona (Sala Razzmatazz II) and 14th April in Madrid (Chango). That's the only thing Venetian Snares can go even further than he already is- genius of electronic "dance" music.">MIRA – Live Visual Arts Festival and Miles Away present Venetian Snares tour.
#VENETIAN SNARES RENOISE LIVE HOW TO#
And learn him basics how to write the score-not sampling. Visiting genres as jungle, dnb, glitch, hardcore, is like fetish studies on rhytmic passion where sometimes fun and joy (or postmodernism?) is more important than cool-esnes of the track involving brecht's effect of alienation.īut while listening to his synth-aka gothic- violins, I sometimes just wish: Give him a live orchestra.
I don't hesitate to state, that he's the first genius of computer music era, where every manipulation with sound is possible (unlikely of hardware machines generation) and he's capable somehow to manage all attributes of it to totaly balanced result. I'm listening to Venetian Snares for three years and I stil shake my head of wonder. Aaron Funk is Joker between Batmen, his music serves "classical" rule-to be over the genre-in fact he prooves dominance of rhytm over melody and theme can be made. Autechre, Aphex Twin can have more complex synths sounds for example, but they are trapped within their style and song form-from the beginning you know how the track will be. With the knowledge of music, practical composing skills and art education, I simply didn't get on any more genuine electronic (I cannot say just "dance") music composer. Couple years ago I was in search of what changed in electonic music, trying to find "best and hardest" of all - and I found Venetian Snares - from that time on, every other electronic music is. My ways turned me from electronic "dance" music through soundtracks to classical and of course 20th century classical (meaning "serious orchestral" music, not only classical or neoclassical genres) in searching for best transcendention and intellectual joy thru such abstract art as music. Funk continued recording for a variety of labels, including Hymen, Addict, and Sublight Records, and has also recorded as Snares Man!, BeeSnares, Snares and Senetian Vnares. The first Venetian Snares LP on Planet Mu, Making Orange Things (a co-production with Speedranch), dropped in early 2001 following in short order were 5 more releases, all released before the end of 2002. When Mike Paradinas heard Greg Hates Car Culture, he immediately signed Funk for Planet Mu. His style has been critically acclaimed, notably by the late British radio disc jockey John Peel.įunk's first release was Greg Hates Car Culture, an EP for the History Of The Future Label, followed by Salt for Zhark and Fuck Canada // Fuck America with Stunt Rock for CLFST. Unpredictable and stimulating, the effect is intense.
Often abbreviated to "Vsnares" - Funk's distinctive style reflects unconventional time signatures and extremely rapid and erratic rhythms. Aaron Funk (born January 11, 1975, Winnipeg, Manitoba, Canada), a producer of vastly varying types of electronic music, gained a profile in experimental techno circles with his signing to the Planet Mu label run by Mike Paradinas (aka µ-Ziq).